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This book allows us to observed not just the nimble-mouthed elf of his previous work, but a man in his seventh decade expunging his darker secrets and contemplating mortality . . . The brilliance of David Sedaris's writing is that his very essence, his aura, seeps through the pages of his books like an intoxicating cloud, mesmerising us so that his logic becomes ours' Alan Cumming, Scotsman\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIf you've ever laughed your way through David Sedaris's cheerfully misanthropic stories, you might think you know what you're getting with Calypso. You'd be wrong.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhen he buys a beach house on the Carolina coast, Sedaris envisions long, relaxing vacations spent playing board games and lounging in the sun with those he loves most. 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Many readers curious about the early years of this seminal avant-garde filmmaker will discover here a much more universal story: that of the emigrant who can never go back, and whose solitariness in the New World is emblematic of the human condition. -Phillip Lopate\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI was enormously moved by it. -Allen Ginsberg\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLegendary filmmaker Jonas Mekas actually came to filmmaking relatively late in life, and his path to New York was a difficult one. In 1944, Mekas and his younger brother Adolfas had to flee Lithuania. They were interned for eight months in a labor camp in Elmshorn. Even after the war ended, Mekas was prevented from returning to his native Lithuania by the Soviet occupation. Classed as a \"displaced person,\" he lived in DP camps in Wiesbaden and Kassel for years. It was only at the end of 1949 that Jonas and Adolfas Mekas finally found their way to New York City.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA new edition of Mekas' acclaimed memoir, first published by Black Thistle Press in 1991, I Had Nowhere to Go tells the story of the artist's survival in the camps and his first years as a young Lithuanian immigrant in New York City. Mekas' memoir--the inspiration for a 2016 biopic by Douglas Gordon--tells the story of how an individual life can move through the larger 20th-century narratives of war and exile and tentatively put down new roots. In the words of Phillip Lopate, \"This is a lyrical, essential spiritual anthropology.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJonas Mekas (born 1922) lives and works in New York. Filmmaker, writer and poet, he is a cofounder of Anthology Film Archives, one of the world's largest and most important repositories of avant-garde film. An influential figure in New American Cinema and New York underground culture, he worked with Andy Warhol, George Maciunas, John Lennon and many others. Mekas' work has been exhibited in museums and festivals worldwide.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFormat\/pages\u003c\/strong\u003e: paperback \/ 480 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eISBN\u003c\/strong\u003e: 9783959051460\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Spector Books\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eYear\u003c\/strong\u003e: 2017\u003c\/span\u003e\u003c\/p\u003e","brand":"Jonas Mekas","offers":[{"title":"Default Title","offer_id":32114069209186,"sku":"9783959051460","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/9325\/3689\/products\/53884c17-7d4a-4b27-a664-813ede0fb630.jpg?v=1612950392"},{"product_id":"speak-memory-an-autobiography-revisited","title":"Speak, Memory : An Autobiography Revisited","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e'Speak, memory', said Vladimir Nabokov. 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At a dinner party, she met the artist Max Ernst. The two fell in love and soon departed to live and paint together in a farmhouse in Provence. In 1940, the invading German army arrested Ernst and sent him to a concentration camp. Carrington suffered a psychotic break. She wept for hours. Her stomach became \"the mirror of the earth\"--of all worlds in a hostile universe--and she tried to purify the evil by compulsively vomiting. As the Germans neared the south of France, a friend persuaded Carrington to flee to Spain. Facing the approach \"of robots, of thoughtless, fleshless beings,\" she packed a suitcase that bore on a brass plate the word Revelation. This was only the beginning of a journey into madness that was to end with Carrington confined in a mental institution, overwhelmed not only by her own terrible imaginings but by her doctor's sadistic course of treatment. 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Like chancing upon an oasis, you want to drink it slowly... Subtle, unpredictable, surprising' -\u003cem\u003eGuardian\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThings I Don't Want to Know\u003c\/em\u003e is the first in Deborah Levy's essential three-part 'Living Autobiography' on writing and womanhood.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTaking George Orwell's famous essay, 'Why I Write', as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life. With wit, clarity and calm brilliance, she considers how the writer must stake claim to that contested territory as a young woman and shape it to her need. Things I Don't Want to Know is a work of dazzling insight and deep psychological succour, from one of our most vital contemporary writers.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'Superb sharpness and originality of imagination. 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Since adolescence, Emily Rapp, herself an amputee since the age of four, felt that there were many things she had in common with Frida Kahlo. From the first sight of Kahlo's painting of the devastating bus crash that almost killed her, Rapp felt a sense of kinship with the artist. They both endured numerous operations; both alternately hid and revealed their altered bodies; and both found a way to live and create despite physical and emotional pain.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn this riveting read, Rapp gets to the essence of Kahlo through her art, her letters, and her diaries. Rapp tells her own story of losing a child to Tay-Sachs; finding love, and becoming pregnant with her daughter; and of how Kahlo's life and work helped her to find a way forward when all seemed lost.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eContaining several full-color images of Kahlo's art and clothing, Frida Kahlo and My Left Leg offers a unique perspective on the artist and the challenges she faced.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI want to know and remember what it was like to walk as Frida once walked: before polio at six years old shrunk her right leg; before the infamous bus crash on September 17, 1925 when the pole pierced her pelvis; then the casts, the saws, the stitches woven into the skin and then carefully twisted out, the scars gone white and silent and sealed. I am one-legged, like Frida, but I am also unlike her, and there in our essential difference is where my fascination lies, and there lies also my devotion, my despair, my revulsion, my resentment, my desire.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFormat\/pages\u003c\/strong\u003e: hardback \/ 200 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eISBN\u003c\/strong\u003e: 9781912559268\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e: Notting Hill Editions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eYear\u003c\/strong\u003e: 2021\u003c\/span\u003e\u003c\/p\u003e","brand":"Emily Rapp Black","offers":[{"title":"Default Title","offer_id":39482718683234,"sku":"9781912559268","price":13.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/9325\/3689\/products\/fridakahloandmyleftleg.jpg?v=1637320191"},{"product_id":"woolgathering","title":"Woolgathering","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe National Book Award-winner Patti Smith updates her treasure box of a childhood memoir about \"clear unspeakable joy\" and \"just the wish to know\" with a radiant new afterword, written during the pandemic and reflecting on current times. This expanded paperback edition also includes new photographs by the author.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA great book about becoming an artist, Woolgathering tells of a child finding herself as she learns the noble vocation of woolgathering, \"a worthy calling that seemed a good job for me.\" She discovers--often at night, often in nature--the pleasures of rescuing \"a fleeting thought.\" Woolgathering calls up our own memories, as the child \"glimpses and gleans, piecing together a crazy quilt of truths.\" Smith shares the fierce, vital pleasures of stargazing and wandering. 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With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother's particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAs she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band--and meeting the man who would become her husband--her Koreanness began to feel ever more distant, even as she found the life she wanted to live. 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She is expelled for breaking curfew, and from then on the two face the world intertwined: living a life of conversation, hitchhiking across the US, sailing from the Great Lakes to New York City, meeting fellow poets and artists, starting a small press with Zukofsky and Pound, traveling by horse and cart through France, and fighting fascism through the Great Depression. Mary Oppen writes movingly of both her inner life and external events, of the inconsolable pain of suffering multiple stillbirths, of her husband fighting on the front lines during WWII while she struggled to care for their baby daughter, of fleeing to Mexico to avoid persecution for their political activities. 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